Posts Tagged ‘gig’

Taylor Swift looks almost presidential as she glides on a rotating platform over the crowds in Hyde Park. June 27th 2015

Taylor Swift looks almost presidential as she glides on a rotating platform over the crowds in Hyde Park. June 27th 2015

On her transition from Country music star to pop music icon, Taylor Swift has had her detractors but not too many. It is worth reminding people, even before Tay Tay s love letter to the eighties in the form of the album “1989” came out, she had picked 7 Grammies and now in 2015 a Brit award. As she herself reminded the audience at the cavernous Lanxess Arena in Cologne, she has also been criticised for writing too many break-up or sentimental songs. Yet in the context of the “1989” album and World tour it works. During both the Hyde Park and Cologne shows, the music invoked a nostalgic feeling of cult 80s teen films like the Breakfast Club. The viewing was better in the arena but there is something magical about the atmosphere in Hyde Park with 65000 people in it -a real feel good factor.

Somehow though in both Cologne and Hyde Park fate contrived to deprive me of seeing all of the opening – power pop number “Welcome to New York”. In the Lanxess I was stuffing my face with a jumbo Bratwurst when the opening bars started and In London, Tay Tay caught everyone by surprise starting the set 10 minutes earlier than billed. I was still at the bar.

The next big number I did catch in full at both gigs; there was no mistaking during “New Romantics” the references to heartbreak and break-up as well as continuing the references to the 1980s groups in the title.

Taylor Swift on the 1989 World Tour at the Lanxess Arena, Cologne, Germany June 19th 2015

Taylor Swift on the 1989 World Tour at the Lanxess Arena, Cologne, Germany June 19th 2015

“Blank Space” provided a combination of flirty lyrics with a hint of sexual tension to dreamy synth powered music without being smutty, perfectly evoking the feeling of young adults playing the dating game while “How you Get the Girl” was a simple life lesson to the boys on how to get and keep a relationship. “All you had to do is stay” had the feel of a teenage cheerleader chant meets sweet regretful nostalgia for a lost relationship.

A particularly interesting part of the Cologne show consisted of 2 songs and Swift talking about the nature of friendship followed by “Bad Blood” and “We are never ever getting back together”. With the cinematic backdrop of a lookalike of one Katy Perry’s screen or stage personas, this was undoubtedly a very thinly veiled reference to the ” virtual ” argument in which the two singers are involved.

Proving she is no slouch when it comes to instruments, reverting briefly to her country roots. Swift came out on an extended platform into the middle of the crowd and unsupported played a small acoustic section with the song ” You are in love” . Others section saw her playing electric guitar, keyboards on a revolving platform, and piano in an elegant dress during the ethereally romantic “Wildest Dreams” which for me invoked the image of an 80s prom queen. And the costume changes were frequent -6 or 7 by my count – certainly rivalling other pop divas shows.

Shake it Off on a rotating platform at the Lanxess Arena, Cologne, Germany June 19th 2015

Iconic – Talylor Swift & Dancers perform Shake it Off on a rotating platform at the Lanxess Arena, Cologne, Germany June 19th 2015

There is a difference however; Swift did not go over the top with overly elaborate sets or costumes. These complimented the show but do not overpower it. There was a little bit more glitz at the Hyde Park concert during “Style” when Tay Tays’ pals, including Cara Delavigne, Kendall Jenner and Wimbledon Tennis champ – Serena Williams walked down the runway. And there was an interesting cinematic backdrop for the booming synth of “Out of the Woods”. The main feature, though in both Cologne and London shows was the raised giant revolving platform in the middle of the audience which saw Swift and dancers resolving above the crowd at a slightly unnerving speed while performing a routine to worldwide hit “Shake it Off”. The crowd went wild at both gigs and this proved the iconic moment of the shows leaving audiences going home with a simile on their faces.

Taylor Swift at the relatively tender age of 25 was already a successful musician and business woman as is proven her album sales, list of awards and the clout she recently demonstrated in dealing with Apple. However, what she has achieved with the “1989” album and tour is remarkable. She has created something that almost everybody likes, that appeals to old and young; she done what few artists have ever achieve, successfully crossed-over genres and broadened her appeal beyond country. “1989” is a Modern pop classic and the shows were a visual personification of this.

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Imelda May wows the coastal crowd at Folkestone, Friday 21st November 2014

Imelda May wows the coastal crowd at Folkestone, Friday 21st November 2014

Any regular followers of Londongigger posts will know that I don’t just confine my reviews to the London area so as I am regular visitor to Folkestone, I felt it was high time to pay a visit to the renowned Leas Cliff Hall, a marvel of 1920’s engineering, jutting out from the cliff side on the Leas Cliff promenade, to see a concert. And who better to see on a Friday night than the Queen of Modern Rockabilly Imelda May.
Currently engaged on a 2 month long European tour in support of latest album Tribal and playing such illustrious venue as Olympia in Paris and Shepherds Bush Empire, the people of Folkestone were obviously delighted that she and very capable band had descended on their corner of England for the evening, even if the crowd took a little while to get going. They were treated for the most part to a lively display of sassy rock n roll numbers like the title track, “Wild Woman”, “Five Good Men” & “Ghosts of Love”in this gig that lasted 1 1/2 hours. When the crowd did eventually warm up, Imelda had them singing and clapping “Its good to be alive” although even she commented that when she got them humming the rhythms that “you’re not the best”. Still no matter, the high class rock n roll tracks kept coming. ” Round the the Bend” & Mayhem were fast and furious but there were quieter moments. “Gypsy in Me ,for instance was enthrallingly sung with heart and soul.
Of course ” Johnny got a Boom Boom” was left until last and was received by an audience by now enthusiastically into the gig (or at least the left hand side of the hall). Apart of the right hang side were persistent in their loud talking. They were roundly told off by the left side whom Imelda came back to do the encore. She gave a fantastic rendition of Nancy Sinatra’s Bang Bang and Blondie’s Dreaming accompanied by a Ukulele.
All told, this a was fresh and sassy performance from musician in her prime. Shepherd’s Bush Empire be warned; you are in for a treat on Monday night.

Elly Jackson of La Roux is achingly cool performing at O2 Empire, Shepherd's Bush, Wednesday 12th November 2014, London, UK

Elly Jackson of La Roux is achingly cool performing at O2 Empire, Shepherd’s Bush, Wednesday 12th November 2014, London, UK

It may have been 5 years since La Roux last performed at this venue but you would have known it. The wild raucous mainly teen audience of 2009 had gone to be replaced by a far more mature (some might even say old). It was almost complete transformation in the audience demographic which given the subtle changes in the musical style was surprising. Still, singer Elly Jackson, the driving force behind La Roux remains a constant. Gone was the signature large quiff and androgynous look replaced by black lounge jacket and casual beige trousers resembling David Bowie look from the Serious Moonlight tour of 1983. She still looked cool in fact effortlessly cool.
The intro was smooth on “Let me down gently” with some glorious synth riffs complementing Jackson’s intense soaring vocals. This show was all about showcasing the new songs from the excellent album “Trouble in Paradise”, notable tracks of which in the show were ” Sexotheque” and “Tropical Chancer” during which Jackson side shuffled and swayed in a very 80s style. There was a liberal smattering of hits from the first album like “Quicksand”, ” I’m not your Toy and Quicksand which closed the show with a well -deserved standing ovation from floor theatre balconies. The crowd were massively into the gig with cheers going up after every song. The gig was only about an hour and ten minutes long but the experience was so enthralling it felt like double that. This crowd pleaser was undoubtedly one of the gigs of the year but please Miss Jackson don’t leave it so long to come back next time.

Full of Melancholy -Lykke Li performs at Eventim Apollo, Hammersmith,  thursday 13th November  2014, London UK.

Full of Melancholy -Lykke Li performs at Eventim Apollo, Hammersmith, thursday 13th November 2014, London UK.

Lykke Li thanked the audience at the end of her 1 hour 20 minute performance for still being there after 7 years. Its not hard to see why. Li’s voice is very engaging; there’s a quality in it that gives the heart strings a quiver if not a full plucking. The gig was naturally themed around her new album “I never learn” which itself is a concept around loss and heartbreak. So I suppose it is a bit churlish to expect a brightly lit upbeat set. Yet, I could not help but feel that the exceptionally monochromatic lighting conveyed not heartache but rather extreme sombreness and melancholia. At times the singer was barely visible in the gloom going from dark to the occasional glimpse to shadowy profile. Her very capable band were hardly visible at all. This could been very frustrating for the less tolerant and it was just as well the emotional power of Li’ s voice and some excellent musical arrangements overcame this. There were notable moments. Opening the show, “I never learn ” was accompanied by an acoustically rich guitar and hauntingly pure vocals. “Sadness is a Blessing”had all the resemblance of atragic Shangri La’s song while “Gunshot”, although sung a couple of keys down impressed with its intensity of feeling. However none of these compared with a sublime cover of Drake’s ” Hold on, We’re going home” with a totally gorgeous synth hook. There was the odd twee bit in the show. “Never Gonna Love Again” had the audience out with the lighters and mobile phones. It was a nice touch to bring out support act Eliot Sumner (formerly I blame Coco) just before the encore “Get Some”. This proved to be the liveliest and rockiest track of the gig. Generally, this was good atmospheric gig but it could have done with lifting on occasion. A less sombre lighter mood would have gone way.

MØ floors the crowd at Shpherds Bush, London, Saturday 1st November 2014

MØ floors the crowd at Shpherds Bush, London, Saturday 1st November 2014

Those who have never seen Mo before may well be surprised by the vigour that puts into shows and this was no exception at Shepherds Bush Empire.Mo (real name Karen Marie Orstead) is already a breakthrough star in Denmark and fast rising in other countries including the UK. She has ditched her punkish roots for an electro sound with occasional soft R n B electro-beats. Her performance at Shepherds Bush was vocally gutsy and stylistically forceful.

Ccaption id=”attachment_919″ align=”alignnone” width=”614″]Sister Sledge get down in the heart of East London, UK, August 14th 2014 Sister Sledge get down in the heart of East London, UK, August 14th 2014 [/caption]

If they had been performing indoor, you would have say they could have brought the house but as it happens it was the stars. At the Under the Stars festival in Central Park, East Ham, we are starting to get used to seeing bigg-ish acts. But,sponsored by the mayor of Newham the acts are getting bigger and bigger. Sister weren’t there definitely the most famous name to play this neck of thew woods. The experience of seeing and hearing some of the biggest disco hits from childhood and teenage years was surreal made all the more remarkable by it taking place in one of the poorest parts of one of the poorest boroughs. Still, the sisters did anything but patronise their audience. This was a full-on gig where,yes some of the finest tunes ever to grace dance in the last 40 years were played but their was also originality and musical mastery as some numbers were mashed up and other delivered with verve and charm that far exceed their effect played in a club.

The opening – All American girls was delivered with as much as could mustered given the dismal drizzly conditions. Thing of You was sentimentally sweet but the party really started with the playing of Lost in Music where the sisters go the crowd into a sing-along. Very engaged by now, they challenged the audience to prove who was the greatest during the song of the same name by choosing audience members to come up on stage and dance.

The hour and half set finished with an encore rendition Good Times where the tremendously good band played on when after the Sisters left the stage to a very rousing cheer.

The evening cost nothing. We were thoroughly entertained with some of the great dance music ever produced.

Other Top Live Song Performances of 2013

Yolanda Brown’s Bob Marley medley mix
Zaz – “On ira” and “Je veux”
Siouxsie (Sioux) “Dear Prudence”
The Rolling Stones “Paint it Black”
Paramore “The Only Exception”

From amongst the 32 concerts I went to see this there were no shortage of candidates. Kicking off the year February , MOBO award winner Yolanda Brown’s sassy sexy sax medley of Bob Marley Classics –Waiting in Vain / Is this Love etc. got the crowd going in our tiny little local theatre in Barking.

French singer’s Zaz’s deeply humanitarian lyrics for “On ira” and “Je veux” set against a bouncy up-tempo beat provided a moving performance in June at the pocket-sized Scala Theatre in Kings Cross.

Also in June, in what has to be one of the coolest gigs of the gig and only just outside my Top 10 of the year, Siouxsie (Sioux) dressed in a white latex cat suit sang some stonking post punk classics at Yoko Ono’s meltdown festival at London’s Festival Hall, the memorable of which was “Dear Prudence” .

While the open-air concert may have been overpriced and the facilities pretty terrible for concert-goers not paying the premium rates, during the hot summer the Rolling Stones did play a number of classics. A barnstorming rendition of “Paint It Black” compensated a little for a distant view and long waits at the beer and food stalls.

In Autumn, Paramore’s live performance of “The Only Exception” to the sold out crowd of Wembley Arena made my hair stand on end with the 12,000 crowd singing the chorus and waving their lighted mobile phones. Some may mind it a bit cheesy. I found an unforgettable moment.

However, head and shoulder above all those is a man at the age of 63 is a man who moved around the stage like a man 20 years younger full of spirit and verve. This is also a man who quite rightly is about to be inducted into the hall of fame. This is Peter Gabriel, a creative genius who, together with his high calibre band, produced a flawless and entertaining of his massive 1986 hit “Sledeghammer”. The nostalgia buzz was immense for me personally. Check this out.