Archive for November, 2014

Imelda May wows the coastal crowd at Folkestone, Friday 21st November 2014

Imelda May wows the coastal crowd at Folkestone, Friday 21st November 2014

Any regular followers of Londongigger posts will know that I don’t just confine my reviews to the London area so as I am regular visitor to Folkestone, I felt it was high time to pay a visit to the renowned Leas Cliff Hall, a marvel of 1920’s engineering, jutting out from the cliff side on the Leas Cliff promenade, to see a concert. And who better to see on a Friday night than the Queen of Modern Rockabilly Imelda May.
Currently engaged on a 2 month long European tour in support of latest album Tribal and playing such illustrious venue as Olympia in Paris and Shepherds Bush Empire, the people of Folkestone were obviously delighted that she and very capable band had descended on their corner of England for the evening, even if the crowd took a little while to get going. They were treated for the most part to a lively display of sassy rock n roll numbers like the title track, “Wild Woman”, “Five Good Men” & “Ghosts of Love”in this gig that lasted 1 1/2 hours. When the crowd did eventually warm up, Imelda had them singing and clapping “Its good to be alive” although even she commented that when she got them humming the rhythms that “you’re not the best”. Still no matter, the high class rock n roll tracks kept coming. ” Round the the Bend” & Mayhem were fast and furious but there were quieter moments. “Gypsy in Me ,for instance was enthrallingly sung with heart and soul.
Of course ” Johnny got a Boom Boom” was left until last and was received by an audience by now enthusiastically into the gig (or at least the left hand side of the hall). Apart of the right hang side were persistent in their loud talking. They were roundly told off by the left side whom Imelda came back to do the encore. She gave a fantastic rendition of Nancy Sinatra’s Bang Bang and Blondie’s Dreaming accompanied by a Ukulele.
All told, this a was fresh and sassy performance from musician in her prime. Shepherd’s Bush Empire be warned; you are in for a treat on Monday night.

Elly Jackson of La Roux is achingly cool performing at O2 Empire, Shepherd's Bush, Wednesday 12th November 2014, London, UK

Elly Jackson of La Roux is achingly cool performing at O2 Empire, Shepherd’s Bush, Wednesday 12th November 2014, London, UK

It may have been 5 years since La Roux last performed at this venue but you would have known it. The wild raucous mainly teen audience of 2009 had gone to be replaced by a far more mature (some might even say old). It was almost complete transformation in the audience demographic which given the subtle changes in the musical style was surprising. Still, singer Elly Jackson, the driving force behind La Roux remains a constant. Gone was the signature large quiff and androgynous look replaced by black lounge jacket and casual beige trousers resembling David Bowie look from the Serious Moonlight tour of 1983. She still looked cool in fact effortlessly cool.
The intro was smooth on “Let me down gently” with some glorious synth riffs complementing Jackson’s intense soaring vocals. This show was all about showcasing the new songs from the excellent album “Trouble in Paradise”, notable tracks of which in the show were ” Sexotheque” and “Tropical Chancer” during which Jackson side shuffled and swayed in a very 80s style. There was a liberal smattering of hits from the first album like “Quicksand”, ” I’m not your Toy and Quicksand which closed the show with a well -deserved standing ovation from floor theatre balconies. The crowd were massively into the gig with cheers going up after every song. The gig was only about an hour and ten minutes long but the experience was so enthralling it felt like double that. This crowd pleaser was undoubtedly one of the gigs of the year but please Miss Jackson don’t leave it so long to come back next time.

Full of Melancholy -Lykke Li performs at Eventim Apollo, Hammersmith,  thursday 13th November  2014, London UK.

Full of Melancholy -Lykke Li performs at Eventim Apollo, Hammersmith, thursday 13th November 2014, London UK.

Lykke Li thanked the audience at the end of her 1 hour 20 minute performance for still being there after 7 years. Its not hard to see why. Li’s voice is very engaging; there’s a quality in it that gives the heart strings a quiver if not a full plucking. The gig was naturally themed around her new album “I never learn” which itself is a concept around loss and heartbreak. So I suppose it is a bit churlish to expect a brightly lit upbeat set. Yet, I could not help but feel that the exceptionally monochromatic lighting conveyed not heartache but rather extreme sombreness and melancholia. At times the singer was barely visible in the gloom going from dark to the occasional glimpse to shadowy profile. Her very capable band were hardly visible at all. This could been very frustrating for the less tolerant and it was just as well the emotional power of Li’ s voice and some excellent musical arrangements overcame this. There were notable moments. Opening the show, “I never learn ” was accompanied by an acoustically rich guitar and hauntingly pure vocals. “Sadness is a Blessing”had all the resemblance of atragic Shangri La’s song while “Gunshot”, although sung a couple of keys down impressed with its intensity of feeling. However none of these compared with a sublime cover of Drake’s ” Hold on, We’re going home” with a totally gorgeous synth hook. There was the odd twee bit in the show. “Never Gonna Love Again” had the audience out with the lighters and mobile phones. It was a nice touch to bring out support act Eliot Sumner (formerly I blame Coco) just before the encore “Get Some”. This proved to be the liveliest and rockiest track of the gig. Generally, this was good atmospheric gig but it could have done with lifting on occasion. A less sombre lighter mood would have gone way.

MØ floors the crowd at Shpherds Bush, London, Saturday 1st November 2014

MØ floors the crowd at Shpherds Bush, London, Saturday 1st November 2014

Those who have never seen Mo before may well be surprised by the vigour that puts into shows and this was no exception at Shepherds Bush Empire.Mo (real name Karen Marie Orstead) is already a breakthrough star in Denmark and fast rising in other countries including the UK. She has ditched her punkish roots for an electro sound with occasional soft R n B electro-beats. Her performance at Shepherds Bush was vocally gutsy and stylistically forceful.