Archive for November, 2013

Goldfrapp perform the last leg of theeir "Tales of Us" World Tour,  Hammersmith Apollo, November 1st 2013, London, UK

Goldfrapp perform the last leg of their “Tales of Us” World Tour, Hammersmith Apollo, November 1st 2013, London, UK

Watching Goldfrapp performing can be a bit like a making a spaghetti Bolognese; you know you have all the right tasty ingredients there but depending on how you combine them and also the chef’s mood on the day, the dish could be one of the tastiest you’ve tried or something good but not exceptional. Now, don’t get me wrong, I am and remain a massive fan of the band. I have all 6 studio albums and have been to see them more times than you could shake a stick. However, while exceptionally talented and with a 4 octave voice that could melt crystal, lead singer Alison Goldfrapp’s changeable on-stage temperament could and did, in earlier years, affect the tone of the show.

As the years go by, though, and certainly evidenced by the last two shows I’ve seen – both at Hammersmith Apollo, Alison seems to have become more self assured and relaxed as a performer. The venue seemed to suit and the audience was respectful and appreciative. I’ve noticed that shows have not always worked so well in venues like Brixton or at festivals where the crowd tends to be more raucous. While parts of Goldfrapp shows can be fun and demand you get up and dance, other parts require listening rather then just hearing.

Goldfrapp’s lastest live outing was more subtle than the “In your face” loud and proud 80s style power extravaganza of 2010, and fell in line with the mood of latest album, “Tales of Us”, many tracks of which were showcased in the first half of the concert. Commencing with the first of the track of the new album “Jo”, the tantalisingly delicate strings and background synth riffs and simple piano repetition of a few notes interwove beautifully with the fragility of Alison Goldfrapp’s vocals.

The acoustic guitar melodies on tracks such as “Drew”, “Stranger”, “Alvar” and “Annabel” were well played, proving as haunting and notable as Alison voice – the perfect foil. “Stranger” and “Annabel”, in fact, almost felt as if they could have come out of the songbook of Goldfrapp’s first album “Felt Mountain”.

Alison Goldfrapp is not renowned for long chats with the audience but did take time out to explain the meaning behind some of the new songs, like the gender ambiguity behind the character in “Annabel”. In focusing on the music, the intimate lyrically rich content intricately bound up with each of the characters showcased in the songs from the new album should be not be underestimated or overlooked.

A couple more mellow moments from the Seventh Tree album in the form of “Little Bird” and “Clowns” were to follow as well the operatically tinged “You Never Know” but then the concert gave way about way in to the splendid electro-glam song tracks from 3rd and most commercially successful album “Supernature” and impressive laser effects. A section of the crowd downstairs got up and strutted their stuff (or rather wiggled) – mostly men, I think during “Number 1” but then more and more joined in for “Ride A White Horse” and “Ooh La La”. The set by now, already littered with crowd pleasers was crowned with a quite screechy rendition of “Lovely Head”, the pulsating “Train” and the deliciously sexy and euphoric “Strict Machine” with which the group have finished their set on a number of previous occasions. Great climax – a string of danceable electro-artpop numbers. Frankly, what was not to love?

The mesmerizing voice and lyrics of Alison Goldfrapp and the musical electro genius of Gregory’s compositions are as strong as ever as was the touring band. A special mention should also be made of Angie Pollock whose keyboard work was as dynamic and vibrant as ever. In fact, this final show of the tour was probably the most polished and artistically mature that I have seen from the band thus far. Long may they continue.