Siouxsie leaves us Spellbound in her Happy House at Yoko Ono’s Meltdown, Live review from the Royal Festival Hall,, London, UK, Monday 17th June 2013

Posted: June 19, 2013 in Alternative Music, Indie, Post Punk
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Siouxsie leaves us Spellbound in her Happy House.

Siouxsie commands the stage at Yoko Ono's Meltdown, Royal Festival Hall, London, June 17th 2013

Siouxsie commands the stage at Yoko Ono’s Meltdown, Royal Festival Hall, London, June 17th 2013

Widely regarded as one of the most influential artists of the late 70s and early 80s post punk scene, it’s been 5 years since Siouxsie Sioux graced these shores with a performance. But after the thrilling treat that was put on for the audience on Monday night, the organiser’s behind the year’s Meltdown festival as well as the curator herself Yoko Ono must be very glad at having sent the invitation.
And there was no messing about; the scene was set with a stage backdrop of giant venetian blinds and a lighting display that flashed through the colour spectrum giving a alternate felling dinginess and a faint air of seediness. Siouxsie was simply stunning in her white latex outfit as she prowled about the central stage, totally in command of her craft and kicking off with a barmstorming rendition of “Happy House”. But this was no ordinary show . I did not twig until she came and said “Is everyone ready to get kaleidoscopic”. Much to my surprise she and her backing band played the whole of the Banshees 1980 3rd album “Kaleidoscope” in full and in order. It was dark, wondrous and atmospheric but also slightly surreal being staged in a grand orchestral setting of the Royal Hall festival. Futhermore, the exotic goth/punk element that I had expected never arrived (with a handful of exceptions), having giving way to the sensibly attired crowd of a certain age. Still, that not stop sections of the crowd,especially towards the front, from over-exhuberance. Siouxsie flashed her anger at someone in the audience, looked fearsome and used the f-off expression.
No matter, it played to the image rock and punk image and it passed as quickly it arrived. After 10 minute interlude, the pace and exuberance stepped up again as we were treated to Banshees greatest hits in succession “Israel”, “Arabian Knights”, “Cities in Dust” and biggest hit “Dear Prudence written, of course, by John Lennon. There was much air punching and singing-along by swathes of the crowd, quite at odds with the formal surroundings but close your eyes, you could imagine yourself back in the early 80s when Siouxsie and the Banshees reigned supreme in the indie charts.
Fine material from Siouxsie’s debut 2008 solo album – Mantaray was also dusted off for a re-hearing. “Loveless” played out like an electro-gothic tragedy tinged folk elements. “Into a swan was delivered forcefully” and “Here comes that day” would have fitted in nicely to an Adele or Shirley Bassy back catalogue.
This magical musical evening from the undisputed queen of post-punk was rounded off in an unequivocal style by a pummelling rendition of “Spellbound”. This surely has to be a contender for gig of the year.

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