Archive for May, 2013

Natasha bangs the drum, Bar for Lashes at the Field Day festival, London, May 25th 2013

Natasha bangs the drum, Bar for Lashes at the Field Day festival, London, May 25th 2013

Bat for Lashes aka Natasha Khan’s performance shone through in the late evening sun at the Field Day festival during a day of high quality performances, though, it’s hard to know why she was not top of the bill. No disrespect to Animal Collective, who were the official headliners on the main Eat Your Own Ears stage (and whom I did not see) but they are hardly that well known in the UK and their chart performance in the US peaked in 2007/2008. This does not stack up with Khan’s two UK Top Ten albums and a prestigious Ivor Novello award. Similarly irksome was finding out band of the moment Palma Violets had bumped up to second billing when I was expecting to the see them on the Laneway stage in the afternoon.
Rant aside; let’s imagine Bat for Lashes was in the headline slot, Khan’s performance was, as ever as engaging and lively as her multi-coloured outfit. Tracks from new albums “The Haunted Man” were interweaved easily with songs from “Fur and Gold” and “Two Suns”. First up was the ethereal “Lillies” with its grand orchestral synth instrumentals that saw Khan purposely wielding a drum stick.

Bat for Lashes aka Natasha Khan dazzles the crowd at Field Day festival , London, May 25th 2013

Bat for Lashes aka Natasha Khan dazzles the crowd at Field Day festival , London, May 25th 2013

Khan’s vocals on “What’s a girl To Do?” resonated a haunting quality similar to that of top French singer Mylene Farmer while the four octave range of her voice was brilliant demonstrated on “Glass”.
Removing her colourful cape she swayed, danced and hopped her way round the stage during “Oh Yeah” and referring to Victoria Park said was glad to be back in “my back garden”.
Of the tracks from the new album, the lyrical allegories of All Your Gold were delivered impressively and “The Haunted Man” saw a strange moment with Khan holding what appeared to be an old wireless set over her head during the military drumming section. I’m sure there was a reason behind but I was hard pressed to see what that reason might be.

What on the box? Natasha Khan holds a wireless set aloft, Bat for Lashes at Field Day festival 2013, London

What on the box? Natasha Khan holds a wireless set aloft, Bat for Lashes at Field Day festival 2013, London

The dance interest for festival goers was brought with the introduction of the science-fiction type fantasy song “Pearl’s Dream” with its infectious drum beat. An hour long set seemed to fly by and was brought to an end with an enthusiastic crowd singing along to award winning song “Daniel”. It was clear from this set that the quality and range of Natasha Khan’s voice is comparable to some of the contemporary greats of British pop music such as Florence Welch and Alison Goldfrapp but you cannot help but think that, in spite of this being a great performance for a festival, the edge is taken off by an outdoor setting.
Last time I saw Bat for Lashes in 2009 it was also outdoors but night had descended and torrential rain and lighting added to the atmosphere. However, in general, singing of this calibre is better appreciated indoors and I look forward to the day that I can watch this talented artist in a venue like Shepherd’s Bush Empire or even the Royal Albert Hall.