On her transition from Country music star to pop music icon, Taylor Swift has had her detractors but not too many. It is worth reminding people, even before Tay Tay s love letter to the eighties in the form of the album “1989” came out, she had picked 7 Grammies and now in 2015 a Brit award. As she herself reminded the audience at the cavernous Lanxess Arena in Cologne, she has also been criticised for writing too many break-up or sentimental songs. Yet in the context of the “1989” album and World tour it works. During both the Hyde Park and Cologne shows, the music invoked a nostalgic feeling of cult 80s teen films like the Breakfast Club. The viewing was better in the arena but there is something magical about the atmosphere in Hyde Park with 65000 people in it -a real feel good factor.
Somehow though in both Cologne and Hyde Park fate contrived to deprive me of seeing all of the opening – power pop number “Welcome to New York”. In the Lanxess I was stuffing my face with a jumbo Bratwurst when the opening bars started and In London, Tay Tay caught everyone by surprise starting the set 10 minutes earlier than billed. I was still at the bar.
The next big number I did catch in full at both gigs; there was no mistaking during “New Romantics” the references to heartbreak and break-up as well as continuing the references to the 1980s groups in the title.
“Blank Space” provided a combination of flirty lyrics with a hint of sexual tension to dreamy synth powered music without being smutty, perfectly evoking the feeling of young adults playing the dating game while “How you Get the Girl” was a simple life lesson to the boys on how to get and keep a relationship. “All you had to do is stay” had the feel of a teenage cheerleader chant meets sweet regretful nostalgia for a lost relationship.
A particularly interesting part of the Cologne show consisted of 2 songs and Swift talking about the nature of friendship followed by “Bad Blood” and “We are never ever getting back together”. With the cinematic backdrop of a lookalike of one Katy Perry’s screen or stage personas, this was undoubtedly a very thinly veiled reference to the ” virtual ” argument in which the two singers are involved.
Proving she is no slouch when it comes to instruments, reverting briefly to her country roots. Swift came out on an extended platform into the middle of the crowd and unsupported played a small acoustic section with the song ” You are in love” . Others section saw her playing electric guitar, keyboards on a revolving platform, and piano in an elegant dress during the ethereally romantic “Wildest Dreams” which for me invoked the image of an 80s prom queen. And the costume changes were frequent -6 or 7 by my count – certainly rivalling other pop divas shows.
There is a difference however; Swift did not go over the top with overly elaborate sets or costumes. These complimented the show but do not overpower it. There was a little bit more glitz at the Hyde Park concert during “Style” when Tay Tays’ pals, including Cara Delavigne, Kendall Jenner and Wimbledon Tennis champ – Serena Williams walked down the runway. And there was an interesting cinematic backdrop for the booming synth of “Out of the Woods”. The main feature, though in both Cologne and London shows was the raised giant revolving platform in the middle of the audience which saw Swift and dancers resolving above the crowd at a slightly unnerving speed while performing a routine to worldwide hit “Shake it Off”. The crowd went wild at both gigs and this proved the iconic moment of the shows leaving audiences going home with a simile on their faces.
Taylor Swift at the relatively tender age of 25 was already a successful musician and business woman as is proven her album sales, list of awards and the clout she recently demonstrated in dealing with Apple. However, what she has achieved with the “1989” album and tour is remarkable. She has created something that almost everybody likes, that appeals to old and young; she done what few artists have ever achieve, successfully crossed-over genres and broadened her appeal beyond country. “1989” is a Modern pop classic and the shows were a visual personification of this.